• @[email protected]
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    8611 months ago

    The tool’s creators are seeking to make it so that AI model developers must pay artists to train on data from them that is uncorrupted.

    That’s not something a technical solution will work for. We need copyright laws to be updated.

      • @[email protected]
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        411 months ago

        Yeah, that’s what I’m saying - our current copiright laws are insufficient to deal with AI art generation.

          • @[email protected]
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            1111 months ago

            Yep. Copyright should not include “viewing or analyzing the picture” rights. Artists want to start charging you or software to even look at their art they literally put out for free. If u don’t want your art seen by a person or an AI then don’t publish it.

            • @[email protected]
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              311 months ago

              Copyright should absolutely include analyzing when you’re talking about AI, and for one simple reason: companies are profiting off of the work of artists without compensating them. People want the rewards of work without having to do the work. AI has the potential to be incredibly useful for artists and non artists alike, but these kinds of people are ruining it for everybody.

              What artists are asking for is ethical sourcing for AI datasets. We’re talking paying a licensing fee or using free art that’s opt-in. Right now, artists have no choice in the matter - their rights to their works are being violated by corporations. Already the music industry has made it illegal to use songs in AI without the artist’s permission. You can’t just take songs and make your own synthesizer out of them, then sell it. If you want music for something you’re making, you either pay a licensing fee of some kind (like paying for a service) or use free-use songs. That’s what artists want.

              When an artist, who does art for a living, posts something online, it’s an ad for their skills. People want to use AI to take the artist out of the equation. And doing so will result in creativity only being possible for people wealthy enough to pay for it. Much of the art you see online, and almost all the art you see in a museum, was paid for by somebody. Van Gogh died a poor man because people didn’t want to buy his art. The Sistine Chapel was commissioned by a Pope. You take the artist out of the equation and what’s left? Just AI art made as a derivative of AI art that was made as a derivative of other art.

          • @[email protected]
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            311 months ago

            Who do you think wins when model training becomes prohibitively expensive to for regular people?

            We passed that point at inception. Its always been more efficient for Microsoft to do its training at a 10,000 Petaflop giga-plant in Iowa than for me to run Stable Diffusion on my home computer.

            Regular people, who could have had access to a competitive, corporate-independent tool for creativity, education, entertainment, and social mobility

            Already have that. It’s called a $5 art kit from Michael’s.

            This isn’t about creation, its about trade and propagation of the finished product within the art market. And its here that things get fucked, because my beautiful watercolor that took me 20 hours to complete isn’t going to find a buyer that covers half a week’s worth of living expenses, so long as said market place is owned and operated by folks who want my labor for free.

            AI generation serves to mine the market at near-zero cost and redistribute the finished works for a profit.

            Copyright/IP serves to separate the creator of a work from its future generative profits.

            But all this ultimately happens within the context of the market itself. The legal and financial mechanics of the system are designed to profit publishers and distributors at the expense of creatives. That’s always been true and the latest permutation in how creatives get fucked is merely a variation on a theme.

            instead be left worse off and with less than where we started.

            AI Art does this whether or not its illegal, because it exists to undercut human creators of content by threatening them with an inferior-but-vastly-cheaper alternative.

            The dynamic you’re describing has nothing to do with AI’s legality and everything to do with Disney’s ability to operate as monopsony buyer of bulk artistic product. The only way around this is to break Disney up as a singular mass-buyer of artwork, and turn the component parts of the business over to the artists (and other employees of the firm) as an enterprise that answers to and profits the people generating the valuable media rather than some cartel of third-party shareholders.

    • @[email protected]
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      711 months ago

      The issue is simply reproduction of original works.

      Plenty of people mimic the style of other artists. They do this by studying the style of the artist they intend to mimic. Why is it different when a machine does the same thing?

      • @[email protected]
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        211 months ago

        It’s not. People are just afraid of being replaced, especially when they weren’t that original or creative in the first place.

        • @[email protected]
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          311 months ago

          Honestly, it extends beyond creative works.

          OpenAI should not be held back from subscribing to a research publication, or buying college textbooks, etc. As long as the original works are not reproduced and the underlying concepts are applied, there are no intellectual property issues. You can’t even say the commercial application of the text is the issue, because I can go to school and use my knowledge to start a company.

          I understand that in some select scenarios, ChatGPT has been tricked into outputting training data. Seems to me they should focus on fixing that, as it would avoid IP issues moving forward.

        • @[email protected]
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          11 months ago

          AI image creation tools are apparently both artistically empty, incapable of creating anything artistically interesting, and also a existential threat to visual artists. Hmm, wonder what this says about the artistic merits of the work of furry porn commission artist #7302.

          Retail workers can be replaced with self checkout, translators can be replaced with machine translation, auto workers can be replaced with robotic arms, specialist machinists can be replaced with CNC mills. But illustrators must be where we draw the line.

      • @[email protected]
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        211 months ago

        It’s different because a machine can be replicated and can produce results at a rate that hundreds of humans can’t match. If a human wants to replicate your art style, they have to invest a lot of time into learning art and practicing your style. A machine doesn’t have to do these things.

        This would be fine if we weren’t living in a capitalist society, but since we do, this will only result in further transfer of assets towards the rich.

    • Sybil
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      211 months ago

      copyright laws need to be abolished

      • @[email protected]
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        2611 months ago

        That would make it harder for creative people to produce things and make money from it. Abolishing copyright isn’t the answer. We still need a system like that.

        A shorter period of copyright, would encourage more new content. As creative industries could no longer rely on old outdated work.

        • Sybil
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          -1611 months ago

          That would make it harder for creative people to produce things and make money from it

          no, it would make it easier.

          it would be harder to stop people from making money on creative works.

          • @[email protected]
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            2511 months ago

            You write a book, people start buying that book. Someone copies that book and sells it for 10 pence on Amazon. You get nothing from each sale.

            You write a song and people want to listen to it. Spotify serves them that song, you get nothing because you have no right to own your copy.

            • Richard
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              611 months ago

              That’s how free/libre and open-source software has worked since forever. And it works just fine. There is no need for an exclusive right to commercialise a product in order for it to be produced. You are basically parroting a decades old lie from Hollywood.

              • @[email protected]
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                1111 months ago

                Yeah, you don’t need exclusive rights for it to be produced. But artists, especially smaller artists, need that right to do silly things like paying for food and rent.

            • Sybil
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              -1711 months ago

              you can still sell your book

              you can still sell your song.

              but your song can be a remix. your book can be a retelling of a popular story.

              you can still make money. you just can’t stop other people from making money. that is all copyright does, and it is wrong. it destroys culture.

              • @[email protected]
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                2711 months ago

                I don’t think you understand how copyrights work. If they are abolished, everybody is free to redistribute your creation without compensation or even acknowledgement. The moment you put it out there, it’s instantly public domain.

                That means we’d have no more professionally produced movies, series, books, songs, games, etc., but would be stuck with what’s essentially fan art.

                Sure, there are talented artists out there who produce music as a hobby, youtubers who make great videos and such, but it would be the end of commercial productions.

                • Sybil
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                  -1611 months ago

                  That means we’d have no more professionally produced movies, series, books, songs, games, etc., but would be stuck with what’s essentially fan art.

                  we had professionally produced songs and books and games and plays before copyright. you are making that up.

                • Sybil
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                  -1911 months ago

                  I don’t think you understand how copyrights work

                  • Ook the Librarian
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                    711 months ago

                    They are idealizing a pay-the-creator system. They are arguing for a system that is kinda coming together with patreon-like stuff.

                    You seem to be arguing that people will just buy the cheapest identical copy. Which is hard to argue against, but there are people out there that pay creators that give their work for free. Copyright law certainly protects creators. But it’s cool to see some creators monetizing on open-licensed work.

                • @[email protected]
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                  111 months ago

                  Relatively simple actually, without copyright. Download Spotify, rename app to Spudify, re-upload to app store. Done, easy peasy. Hardest part about it would be decompiling the existing app, which is definitely possible and may not even be necessary.

                  The real truth is, however, that in this hypothetical world there would be no Spotify to copy and there would be much, much less music available to stream on Spudify.

                  • @[email protected]
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                    -111 months ago

                    Yeah cuz musicians and artists only ever do it for the money…no other reason ever, nope.

                • Sybil
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                  -1611 months ago

                  without copyright standing in your way, it is a cinch.

      • @[email protected]
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        1411 months ago

        That would be an update, not sure it would be a good thing. As an artist I want to be able to tell where my work is used and where not. Would suck to find something from me used in fascist propaganda or something.

        • Sybil
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          -1111 months ago

          As an artist I want to be able to tell where my work is used and where not.

          that would be nice. a government-enforced monopoly isnt an ethical vehicle to achieve your goal.

          • @[email protected]
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            1411 months ago

            I’m open for other ideas, until then I take laws. I don’t see anything wrong with people making rules for interactions.

      • @[email protected]
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        11 months ago

        Truly a “Which Way White Man” moment.

        I’m old enough to remember people swearing left, right, and center that copyright and IP law being aggressively enforced against social media content has helped corner the market and destroy careers. I’m also well aware of how often images from DeviantArt and other public art venues have been scalped and misappropriated even outside the scope of modern generative AI. And how production houses have outsourced talent to digital sweatshops in the Pacific Rim, Sub-Saharan Africa, and Latin America, where you can pay pennies for professional reprints and adaptations.

        It seems like the problem is bigger than just “Does AI art exist?” and “Can copyright laws be changed?” because the real root of the problem is the exploitation of artists generally speaking. When exploitation generates an enormous profit motive, what are artists to do?

    • Hello Hotel
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      11 months ago

      They dutifully note that, this is the next best thing.