Of those three steps, step 2 is the illegal one. (Assuming we’re talking about music and not software.) Even if you never do step 3.
(Not saying things should be that way. Nor that it’s not difficult to enforce. Only that as the laws are today, even ripping a music CD to your hard drive without any intention to share the audio files or resell the CD, even if you never listen to the tracks from your computer, the act of making that “copy” infringes copyright.)
Edit: Oh, and I should mention this is the case for U.S. copyright. No idea about any other countries.
In the US, if you don’t proceed to step 3, step 2 is legal (so long as the CD lacks DRM). You’re permitted a single backup under fair use; you’re also permitted to rip the music for personal use, like loading it onto a music player. You’re not supposed to burn it to a regular CD-R (is it illegal? Idk), but burning it to an Audio CD-R (where there is a tax that is distributed to rights holders like royalties) is endorsed by the RIAA.
Technically Step 2 should be legal, as covered by the old VCR case law (I think it involved Sony). Making a backup of a VHS tape or audio casette was legal, thus it should be legal for other formats, also.
However the sneaky basremoved then went and lobbied for a law that makes it illegal to circumvent DRM. So, there shouldn’t be anything wrong with writing the raw files to a drive, but if you have to crack the DRM to get the files to play then you’re definitely doing something unlawful.
Disclaimer: “should” is doing a lot of heavy lifting in my comment lol what I say is not in any way legal advice. Also, it could be that the VHS law was more about “time-shifting”, ie recording live TV so that you could watch it at a more convenient time.
Copyright also used to only be a civil offense, meaning law enforcement wouldn’t come after you, but a rightsholder might. However, they lobbied over that as well and ended up with a relatively low bar - if the value is over something like $1,000 then it’s automatically considered commercial and “criminal” copyright infringement.
Regular audio CDs don’t have any DRM. (Unless it’s a data CD filled with audio files that have DRM or some such. But regular standard audio CDs that work in any CD player, there’s no DRM. The standard just doesn’t allow for any DRM.) And so the DMCA’s anticircumvention provisions wouldn’t apply to CDs.
But as for the Sony case you’re referencing, I’m not familiar with it, so I’ll have to do more research on that.
Pretty sure it was this one: https://en.wikipedia.org/wiki/Sony_Corp._of_America_v._Universal_City_Studios,_Inc. Sony were actually the defendant, with their Betamax format. It does seem to focus primarily on time-shifting, ie recording live to watch later, however the reason for this was that the content was already available to the viewer and thus the copying should be permitted fair use. The Supreme Court also quoted Mr Rogers’ testimony in their ruling.
“Some public stations, as well as commercial stations, program the ‘Neighborhood’ at hours when some children cannot use it. I think that it’s a real service to families to be able to record such programs and show them at appropriate times. I have always felt that, with the advent of all of this new technology that allows people to tape the ‘Neighborhood’ off the air, and I’m speaking for the ‘Neighborhood’ because that’s what I produce, that they then become much more active in the programming of their family’s television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been ‘You are an important person just the way you are. You can make healthy decisions.’ Maybe I’m going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important.”
Applying this reasoning to new technologies has since been debated back and forth through the decades with little clear resolution. Subsequent cases have sided with the rightsholders (eg against Grokster and Limewire), but the reasoning behind them was all over the place. They addressed the purpose of file sharing technology and concluded that those services existed primarily to facilitate copyright infringement, rather than addressing the matter of personal backups.
Of those three steps, step 2 is the illegal one. (Assuming we’re talking about music and not software.) Even if you never do step 3.
(Not saying things should be that way. Nor that it’s not difficult to enforce. Only that as the laws are today, even ripping a music CD to your hard drive without any intention to share the audio files or resell the CD, even if you never listen to the tracks from your computer, the act of making that “copy” infringes copyright.)
Edit: Oh, and I should mention this is the case for U.S. copyright. No idea about any other countries.
In the US, if you don’t proceed to step 3, step 2 is legal (so long as the CD lacks DRM). You’re permitted a single backup under fair use; you’re also permitted to rip the music for personal use, like loading it onto a music player. You’re not supposed to burn it to a regular CD-R (is it illegal? Idk), but burning it to an Audio CD-R (where there is a tax that is distributed to rights holders like royalties) is endorsed by the RIAA.
Technically Step 2 should be legal, as covered by the old VCR case law (I think it involved Sony). Making a backup of a VHS tape or audio casette was legal, thus it should be legal for other formats, also.
However the sneaky basremoved then went and lobbied for a law that makes it illegal to circumvent DRM. So, there shouldn’t be anything wrong with writing the raw files to a drive, but if you have to crack the DRM to get the files to play then you’re definitely doing something unlawful.
Disclaimer: “should” is doing a lot of heavy lifting in my comment lol what I say is not in any way legal advice. Also, it could be that the VHS law was more about “time-shifting”, ie recording live TV so that you could watch it at a more convenient time.
Copyright also used to only be a civil offense, meaning law enforcement wouldn’t come after you, but a rightsholder might. However, they lobbied over that as well and ended up with a relatively low bar - if the value is over something like $1,000 then it’s automatically considered commercial and “criminal” copyright infringement.
Regular audio CDs don’t have any DRM. (Unless it’s a data CD filled with audio files that have DRM or some such. But regular standard audio CDs that work in any CD player, there’s no DRM. The standard just doesn’t allow for any DRM.) And so the DMCA’s anticircumvention provisions wouldn’t apply to CDs.
But as for the Sony case you’re referencing, I’m not familiar with it, so I’ll have to do more research on that.
Pretty sure it was this one: https://en.wikipedia.org/wiki/Sony_Corp._of_America_v._Universal_City_Studios,_Inc. Sony were actually the defendant, with their Betamax format. It does seem to focus primarily on time-shifting, ie recording live to watch later, however the reason for this was that the content was already available to the viewer and thus the copying should be permitted fair use. The Supreme Court also quoted Mr Rogers’ testimony in their ruling.
Applying this reasoning to new technologies has since been debated back and forth through the decades with little clear resolution. Subsequent cases have sided with the rightsholders (eg against Grokster and Limewire), but the reasoning behind them was all over the place. They addressed the purpose of file sharing technology and concluded that those services existed primarily to facilitate copyright infringement, rather than addressing the matter of personal backups.