There were even bigger structural issues than that. A good production team could make the “I want a baby” motivation work. A good production team could make changes to characters work. The show did not have a good production team.

I can’t remember which season, but there was one scene where Jen takes Ciri to a bank (I think). They wanted to have the man they met with deliver a few lines of exposition explaining how he had run into Jen in the past, she had helped him, and now he was in her debt. Nothing wrong with that. It’s not Shakespeare, but it’s perfectly functional storytelling.

The problem was that they had Ciri being moody and bored, walking around the set and poking at props. Meanwhile Jen was sitting across the desk from the guy delivering the lines. That meant that this dude was sitting there telling Jen her own backstory.

That means that either the writers were idiots who fucked up their own blocking and nobody on set questioned the script, or somebody on set insisted on the blocking despite it making no sense. My wife is a fan of the books and games, but I’m not. Even with no knowledge of the story being adapted I could tell something was deeply wrong with how that show was being made.

Yen wanting a child was a plot point with the djinn in the book, so at least that was accurate