Have you really enjoyed reading a work that qualifies and want to recommend it to others? This is the prime spot to help people out with those recommendations.
The way this thread works is that this thread will contain one top level comment for each Bingo square. In order to preserve the organization and readability of this post, please limit recommendations to only replies on those top-level comments. We will be removing comments that don’t follow this rule for for this specific post.
You can scroll through the thread or use the links above if your reader supports comment linking directly.
Reminder, Please DO NOT make comments that are not replies to a prepopulated top-level comment. Your comment will just be removed without any additional info.
Plays With Words:
Written in a stylistically unconventional way. HARD MODE: Fits the definition of Experimental Literature.
- Flowers for Algernon by Daniel Keyes
- Infinite Jest by David Foster Wallace
- Ella Minnow Pea: A Progressively Lipogrammatic Epistolary Fable by Mark Dunn
- Catch-22 by Joseph Heller
- Finnegans Wake by James Joyce
- House of Leaves by Mark Z. Danielewski
- A Clockwork Orange by Anthony Burgess
I asked this question a few months back and had a ton of replies. I’ll leave a link to the thread and highlight my two favourite books so far.
Children of Time - Adrian Tchaikovsky “Evolutionary storytelling”. It tells the story of an entire civilization as it grows and evolves from nothing, whilst simultaneously telling a story that takes place over a much more conventional timescale. Very good book IMO, with two slightly-less-strong sequals
Idaho Winter - Tony Burgess What a bizarre book this was. I don’t know if it’s a good book, but it was weird and kept me entertained so that’s good enough for me.
Spoiler for what made it weird
The author gets dragged into the story at one point and becomes a character in the book by accident
New Release:
New for 2024/2025 (no reprints or new editions). First translations into your language of choice are allowed. HARD MODE: This is the first work you’ve read by this author.
The gathering, by C.J. Tudor
Nuclear war: a scenario, by Annie Jacobsen
Removed by mod
ALT - Same Author, New Work
An author you’ve read before, but a series (or standalone) you haven’t. HARD MODE: Give an author you didn’t like a second chance.
ALT - A Change in Perspective
Written in third-person perspective. HARD MODE: Second-person perspective.
- This Is How You Lose the Time War by Max Gladstone, Amal El-Mohtar
- The Invisible Life of Addie LaRue by V.E. Schwab
- The Night Circus by Erin Morgenstern
- Space Vampire (Choose Your Own Adventure #9) by Edward Packard
Water, Water Everywhere
The title refers to some form or body of water. HARD MODE: Not liquid water.
- On Stranger Tides by Tim Powers
- The Ocean at the End of the Lane by Neil Gaiman
- Midnight Riot (The original UK title of this is River’s of London) by Ben Aaronovitch
Disability Representation:
A main character has or gains a disability to which they must adapt. This disability must be grounded in reality: if a 4,000 year old Prince of the Shokan lost an arm, that would count; if he became a werewolf, it would not. HARD MODE: The piece is at least partially from their perspective.
- Feral Creatures by Kira Jane Buxton
- How to Train Your Dragon by Cressida Cowell
- Flowers for Algernon by Daniel Keyes
Debut Work:
An author’s first work. HARD MODE: The author is widely regarded as having a profound impact on the genre/topic.
The Mysterious Affair at Styles by Agatha Christie, with the caveat that her early work is a bit racist. Styles, for example, I recall having an n-word casually dropped into a conversation, along with a couple of antisemitic remarks. If you don’t mind reading around that, however, it’s a nice little Poirot case.
I had a similar experience when I was working through some of the early “The Shadow” pulps and was surprised a couple times at just how blatant the racism was.
- Interview with the Vampire by Anne Rice
- Carrie by Stephen King
- The Hundred Thousand Kingdoms by N.K. Jemisin
- Fear and Loathing in Las Vegas by Hunter S. Thompson
- To Kill a Mockingbird by Harper Lee
- Jonathan Strange & Mr Norrell by Susanna Clarke
- Casino Royale by Ian Fleming
- Neuromancer by William Gibson
It’s About Time:
The passage or manipulation of time is a major theme or plot driver. HARD MODE: Backward in time, not forward.
Won’t fit the hard mode, but Charles Sheffield’s Tomorrow and Tomorrow was an interesting read. The first third wasn’t really my thing, but after that the book goes way far into the future.
- The Curious Case of Benjamin Button by F. Scott Fitzgerald
- The Time Machine by H.G. Wells
- This Is How You Lose the Time War by Max Gladstone, Amal El-Mohtar
- 11/22/63 by Stephen King
- The Man Who Folded Himself by David Gerrold
Among the Stars:
Features space, astronomy, or stardom. HARD MODE: The title references the theme, too.
The Calculating Stars by Mary Robinette Kowal
Mr Palomar by Italo Calvino.
Also qualifies for hard mode (the character is named after an observatory).
- Binti by Nnedi Okorafor
- Leviathan Wakes by James S.A. Corey
- 2001: A Space Odyssey by Arthur C. Clarke
- Who Censored Roger Rabbit? by Gary K. Wolf (movie stars count)
Eazy, Breazy, Read-zie:
A light, popcorn-worthy read that’s not real deep (see also “beach read” and “airport novel”). HARD MODE: You actually read it while on a vacation/staycation.
- Dungeon Crawler Carl by Matt Dinniman
- The Kaiju Preservation Society by John Scalzi
- The Mark of Zorro by Johnston McCulley
Mashup:
A combination of two or more genres or non-fiction topics. HARD MODE: Unusual combo, like fantasy thriller.
Have read and enjoyed:
- Iron Truth by S.A. Tholin - space opera with horror elements
- Leech by Hiron Ennes - gothic sci-fantasy horror, set in some kind of post-apocalypse
- The Witness for the Dead by Katherine Addison - fantasy of manners mystery
- The Mister Trophy by Frank Tuttle - fantasy mystery
- The Monsters We Defy by Leslye Penelope - historical fantasy
- Ghosts in the Snow by Tamara Siler Jones - fantasy mystery
- Priest of Bones by Peter McLean - fantasy organized crime
- When Gravity Fails by George Alec Effinger - cyberpunk mystery
Family Drama:
Family is important, but sometimes it’s also the cause of problems. Family dynamics are fundamental to the narrative. HARD MODE: Involves three or more generations of family members.
Pachinko by Min Jin Lee
- Charlie and the Chocolate Factory by Roald Dahl
- The Sandman Graphic Novels by Neil Gaiman
- The Library at Mount Char by Scott Hawkins
- The Ocean at the End of the Lane by Neil Gaiman
“100 Years of Solitude” Gabriel García Márquez (this works for HARD MODE)
It Takes Two:
Written by two or more authors. HARD MODE: Written by three or more authors.
- This Is How You Lose the Time War by Max Gladstone, Amal El-Mohta
- Good Omens by Terry Pratchett, Neil Gaiman
- Leviathan Wakes by James S.A. Corey (Corey is a pseudonym for the team of Daniel Abraham and Ty Franck)
Award Winner:
Has won a significant literature award. HARD MODE: More than one award.
I would love some suggestions for awards to look up, that you’d consider big for your country or preferred genre. I’ve looked up lists of awards, but they tend to be pretty US-focused, and it’s hard to tell what’s actually significant.
I’m familiar with the Hugos (SFF), Nebula (SFF), Bram Stoker (horror), Edgars (mystery), Pulitzer (lit), Booker (lit), and Newbery (kids).
- Dreamsnake by Vonda N. McIntyre
- Ancillary Justice by Ann Leckie
- Babel: An Arcane History by R.F. Kuang
- A Master of Djinn by P. Djèlí Clark
- The Left Hand of Darkness by Ursula K. Le Guin
- Fahrenheit 451 by Ray Bradbury
