Eh, it depends on the author. I’ve seen a lot of modern Post-Apocalypse/Cyberpunk stuff make comedic quasi-self-references by way of media-within-the-media (A piece of modern literature in the Fallout setting describing a “dystopian” world in the self-proclaimed utopian Vaults, for instance).

But the point of the media-within-the-media is often to illustrate how we fixate on the drama of dystopia without acknowledging the banality of social evils.