Hi guys, first of all, I fully support Piracy. But Im writing a piece on my blog about what I might considere as “Ethical Piracy” and I would like to hear your concepts of it.

Basically my line is if I have the capacity of paying for something and is more convinient that pirating, ill pay. It happens to me a lot when I wanna watch a movie with my boyfriend. I like original audio, but he likes dub, so instead of scrapping through the web looking for a dub, I just select the language on the streaming platform. That is convinient to me.

In what situations do you think is not OK to pirate something? And where is 100 justified and everybody should sail the seas instead?

I would like to hear you.

  • @[email protected]
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    2091 year ago
    1. When the content is no longer available for retail purchase (i.e old games or shows that have been pulled entirely [see Infinity Train])
    2. You have a physical copy, but want a digital version.
    • @[email protected]
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      761 year ago

      Slightly more gray: content I’ve already paid for in one form or another. I spent like $100 going to the theater to see Mario with the family. I’m not losing sleep over adding it to my Plex when it hits VOD.

      • Kushan
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        361 year ago

        I pay for a smattering of VoD services, I don’t lose sleep over watching something that isn’t available on them.

        If corporate greed didn’t force a hundred different services on us, then it might be different.

        • hoodatninja
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          51 year ago

          You say you don’t want 100 different services, but do we really want all media content to be under one roof or just a few players? Consolidation is also terrible for media/art. That’s basically why so many people are against the Actibliz acquisition.

          • Tunawithshoes
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            21 year ago

            It could also have music streaming style. Where the features of platform is the more pull then content.

            Spotify supports far more range of devices. Tidal sounds so much better, deezer is slightly worse quality than tidal but for more country. YouTube music gives you add free YouTube etc.

            • hoodatninja
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              1 year ago

              I’d love that but it’s just not realistic because of how the media publishing landscape currently is. Happy to advocate for that but moving that needle will take decades. My response is it’s usually somewhere in the middle. 5-10 major players, maybe some smaller ones as well. I don’t need access to literally everything ever made. Libraries already have a wonderfully large free collection as it is (for anyone reading this Hoopla is amazing and countless libraries have massive catalogs on it)

              • Kushan
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                21 year ago

                Sure, it’s not an easy thing to achieve for sure, but I won’t lose sleep over them losing revenue because they can’t figure it out quickly enough.

                Even moreso where it comes to media that’s just not available any more. If you, a content IP owner, don’t make that content available for purchase, then you have only yourself to blame if people pirate it.

                • hoodatninja
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                  21 year ago

                  If you, a content IP owner, don’t make that content available for purchase, then you have only yourself to blame if people pirate it.

                  I don’t think we are entitled to someone creative work just because they made it. That opens way too many doors.

      • @[email protected]
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        1 year ago

        This is doubly true for games, which tend to be re-released over and over again on different platforms. This is true to a lesser extent for things like movies, but it’s much worse with gaming where each console is a closed ecosystem that’s incompatible with other systems. At least with Blu-Ray, you can expect any Blu-Ray player to play the movie you’ve purchased. It’s not like a Toshiba player will only play Toshiba brand Blu-Ray discs.

        Companies love to use the “you don’t own the game, you own a personal license to use the game” line when revoking rights to play games you’ve legally purchased… But that goes both ways; If you own a personal license to use the game, it shouldn’t matter what platform it’s on, because it’s the same game regardless of whether you’re playing on PlayStation or PC.

      • Cyanogenmon
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        21 year ago

        Straight black but I still consider ethical:

        The entire “going to the movies” experience is terrible for me and my wife, only going to get worse with a runt on the way. It’s certainly a fault of the theater I try and attend, but I’m not driving 2 hours for a decent viewing experience.

        I pirate like CRAZY. BUT if I find a film/TV show I really enjoy, I certainly do my part in word-of-mouth or digital marketing for them. It’s certainly once it’s left the theaters but I wasn’t going to that anyway. It also gives a chance for older films/series to get some funding that I may not have picked up otherwise.

        Occasionally if there’s a film/show that’s a standout, I’ll buy a physical copy. Honestly I never open them as I have a more convenient digital copy on plex but I do put in some for it.

        That said, watch Grave Encounters 1 (not 2…) and Cabin in the Woods. I believe they’re both on Netflix but absolute top tier movies if you’re into horror for GE or horror parody for CITW, cabin possibly being in my top 5 of all time.

        Also that said, I’ve seen way too many episodes of MTV Cribs for me to care about it too much >:(

      • @[email protected]
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        -21 year ago

        Paying for a ticket isn’t the same thing and I’d argue that’s not morally justified piracy. You went from a rental to ownership at a rental price.

        I thought you were going to say something like “I already bought a copy of Star Wars thirty years ago, then THEY made the way I watch it obsolete, so I don’t feel as bad getting another copy since I already paid for it once.”

        That would be closer to moral than “well I watched it in the theaters once, so I totally own a copy!”

    • Corroded
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      1 year ago
      1. You have a physical copy, but want a digital version.

      Kind of similar but I feel like pirating content you have legal access to (Steam, Spotify, Amazon, Netflix, etc.) in a way to get around DRM is ethical.

      For example wanting to listen to songs you have on Spotify on an iPod or reading ebooks purchased from Amazon on your PC.

    • fades
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      81 year ago

      Or content you have purchased and have now lost access too, or shit if you buy something at all you can ethically pirate it. You already paid!!

    • @[email protected]
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      31 year ago

      Concerning the first point there is also the case of content getting altered. For example TV shows that switch songs because of licensing.

  • dog
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    981 year ago
    1. Content that you cannot acquire by any “lawful” means.
    2. Content that you already own a copy of (Yes, this includes “only” having a “license” to it; you own what you own).
    3. Content that is outrageously priced, and/or from large companies where the people who worked on the product will receive nothing from sold copies. (EA, Activision, Ubisoft, Microsoft, Apple, Adobe, etc)
    • @[email protected]
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      441 year ago

      Third category also contains works so old that only the people hoarding rights to said works profit from giving out licenses to them bc they never worked on them.

      • @[email protected]
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        71 year ago

        Most TV shows in foreign countries, and a billion movies are like this. Since they refuse to take my money, I can’t feel guilty for getting it for free.

      • @[email protected]
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        31 year ago

        Lawful content and lawful aquisition are two different things. CSAM is never ethical, doesn’t matter how you aquired it.

      • dog
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        01 year ago

        That’s one way to self-report.

  • AlmightySnoo 🐢🇮🇱🇺🇦
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    901 year ago

    Scientific articles. You’re not robbing the authors of a single penny, because they don’t get a cut of the sales by the publishing house anyway and the journal reviewers are volunteers.

    • ares35
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      361 year ago

      many, if not most, authors of such papers are more than happy to provide a copy if you were to ask them directly.

      • AlmightySnoo 🐢🇮🇱🇺🇦
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        1 year ago

        That indeed should be the preferred route when you’re not in a hurry and the contact info is up-to-date, but when you want to binge very quickly through a dozen articles as I used to do a lot that becomes impractical. Sometimes authors are unresponsive too, or deceased in the case of old articles.

    • hoodatninja
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      121 year ago

      As some else said, you really should just reach out to the authors. You would be surprised at how many will gladly send you it. Plus, you now have a direct line to the person to ask questions and are showing them that people want to read their work. Academics really appreciate that generally.

  • @[email protected]
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    631 year ago

    When the money goes to people who did not create the media. Support creators, not exploiters.

      • @secret_j
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        21 year ago

        My take on this is summed up much better by Cory Doctorow, and best written up in the foreword of his book “Makers”, which he published for free online.

        There’s a dangerous group of anti-copyright activists out there who pose a clear and present danger to the future of authors and publishing. They have no respect for property or laws. What’s more, they’re powerful and organized, and have the ears of lawmakers and the press. I’m speaking, of course, of the legal departments at ebook publishers.

        Why am I doing this? Because my problem isn’t piracy, it’s obscurity (thanks, @timoreilly for this awesome aphorism). Because free ebooks sell print books. Because I copied my ass off when I was 17 and grew up to spend practically every discretionary cent I have on books when I became and adult. Because I can’t stop you from sharing it (zeroes and ones aren’t ever going to get harder to copy); and because readers have shared the books they loved forever; so I might as well enlist you to the cause.

        • hoodatninja
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          1 year ago

          That’s a great excerpt and I’m now interested in this book but it doesn’t really address the issue of money not going to the creator. He’s just in a position where he can afford to go without the income. Millions of artists can not. I imagine neither of us wants art creation to be solely the domain of the wealthy. Reminds me of how in college the only people who could do “good” internships were those who could afford to go a summer (or longer after college) without income and live in D.C. and other expensive cities. It’s wrong to not pay people to do a job of course, but that was a major secondary issue. Only people with money could get the internships that got them jobs that made good money.

    • @[email protected]
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      11 year ago

      You are saying that you would prefer to get paid per sale instead of per hour?

      I did both and prefer my money per hour. No matter if the sales are low or high. The fluctuation of payment is an insecurity that i don’t want.

  • Marxine
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    461 year ago

    Many people already said stuff I agree with, but I’d also include low-income families being “justified” in pirating stuff, be it for work, study or entertainment (as entertainment is a basic right imo)

  • esty
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    451 year ago

    to answer the opposite of your question i would say it’s unethical to steal things from indie developers and creators; the same way its more wrong to steal from a local corner store than it is to steal from Walmart

    • @[email protected]
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      71 year ago

      If items in the physical world could be stolen like it is for digital materials then it would mean the world has created a duplicator. Which would be absolutely awesome and that society has really advanced in technology. So good news all around.

      But, sadly we cannot steal stuff in the real world like we can for digital because there is no duplication machine. There’s no copier so real world theft is going to result in one person losing possession of the item they had.

  • I Cast Fist
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    341 year ago

    Any piracy related to scientific papers I consider ethical. That kind of knowledge should NEVER be hidden behind a paywall

    Abandonware is a very clear cut case of ethical piracy, too. Without it, a lot of digital stuff “wouldn’t exist” anymore. Mainly games, but also loads of productivity programs, doubly so for discontinued platforms, like Amiga computers.

    • @[email protected]
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      201 year ago

      Any content that exists solely to put ads in front of my kids is 100% fair game and not just ethically allowed, but creates an ethical necessity to remove it from it’s advertising.

        • @[email protected]
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          1 year ago

          I am thinking specifically of broadcast tv kids shows that I have no problem with my kids watching, but that are broadcast with kid targeted ads in my country. I much prefer to rip them and let the kids watch them without commercials.

          • hoodatninja
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            1 year ago

            Sure makes sense. I think once kids are involved you pretty much have primacy in 90% of scenarios out the gate.

  • @[email protected]
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    281 year ago

    Archival of information and software that is no longer available, such as NES games.

    Any and all book piracy is ethical. It’s just like a library. If libraries are ethical libgen is ethical.

  • @[email protected]
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    1 year ago

    The only (ethical) reason not to pirate games is indie. But I still buy on Steam/Gog cause its convenient / I don’t risk malware.

  • @[email protected]
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    271 year ago

    -Not available to buy or only second hand for exorbitant prices (cough cough Nintendo) -Overpriced subscription (cough cough Adobe) -Getting a version of a game you already bought free of invasive or resource-heavy -Trying out a paid program/game/etc. with the intent of buying it if it you like it and it runs well

  • @[email protected]
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    241 year ago

    Anything I’m legally not allowed to buy. So, old videogames (not just Nintnedo) or content of streaming services that show fuck you to my country.

  • @[email protected]
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    241 year ago

    There should be a way to pay only the workers when you buy something. In that case, you could pay them but only after pirating and making sure you enjoy it. Since there is nothing like that, I think you should pay only content from small creators. Big creators already have plenty, and paying for anything else just gives money to greedy executives who then lower the quality of the content to make more money. Of course, if you have the means and don’t pay anything, you are just making sure there will be less of that content made in the future. It isn’t scalable; if everybody pirated content without paying a single cent, there would be no content made except by hobbyists who don’t want to make a living out of it.

    • @[email protected]
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      21 year ago

      I know someone who’s pirated books and then donated directly to the author or signed up for their Patreon for a few months.

      • @[email protected]
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        271 year ago

        Oh yeah I was thinking more along the lines of video games or movies where there are too many people creating it. For books, etc you can definitely donate.