Last June, fans of Comedy Central – the long-running channel behind beloved programmes such as The Daily Show and South Park – received an unwelcome surprise. Paramount Global, Comedy Central’s parent company, unceremoniously purged the vast repository of video content on the channel’s website, which dated back to the late 1990s.
Every Daily Show episode since Jon Stewart took over as host in 1999? Disappeared. The historic remains of The Colbert Report? Disappeared. Presumably, one hopes, those materials remain archived internally somewhere, but for the general masses, they’re kaput. Instead, the links redirect visitors to Paramount+, a streaming service whose offerings pale in comparison. (The service offers recent seasons of the Daily Show to paying subscribers, but only a fraction of the prior archive.)
Such digital demolitions are becoming routine. For fans and scholars of pop culture, 2024 may go down as the year the internet shrank. Despite the immense archiving capabilities of the internet, we’re living through an age of mass deletion, a moment when entertainment and media corporations see themselves not as custodians of valuable cultural history, once freely available, but as ruthless maximisers of profit. Those of us who believe in the historical value of accessing media from the past are paying the price.
One: thirty-year copyright, no exceptions. Culture belongs to its audience.
Two: noncommercial use is not copyright infringement. Copyright is only a monetary incentive for new works. There is no “unpublish.” Once it’s ours, you are entitled to any money involved, for a time. Take it or fuck off.
Not that I disagree with the 30 year proposal, but imagine if Star Wars, Star Trek, Indiana Jones, and literally everything else pre-1994 was just all of a sudden public domain.
And?
i’m imagining disney being sad and anyone being able to make a movie in the star wars setting whenever they want. you say “i dont disagree” and i can see why: it sounds awesome
This is the way.